— About PRIXM
Not a marketplace. Not a freelancer. A studio.
You hand us the cards. We hand you back a finished film — edited, color-graded, sound-mixed, and delivered in every format you need. No ticket queues. No template edits. No ghosting. Just one lead editor, one timeline, and a finish that looks the way you imagined it on set.
Edited in DaVinci · Mixed in Pro Tools · Graded by humans
— Our story · Est. May 2024
What we were. What we are. What we want to be.
Every studio has a showreel. Fewer have a story. Ours starts in a university classroom and is still being cut today — here it is, in three chapters.
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01 What we were
Four strangers, one deadline
Ramish, Bilal, Asif and Anas met on a university assignment — four students thrown onto the same project. The work clicked, the edits ran all night, and the assignment came back better than anyone expected. So we aimed higher: an ambitious short film for a festival. Halfway in, the budget ran out, the crew thinned, and we had to shelve it.
Most teams end there. We didn’t. In May 2024 — still in our third year — we registered PRIXM and turned the team the film left behind into a studio.
““The film got shelved. The team didn’t.”
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02 What we are
A studio built the hard way
The first year taught us fast. Trial edits that vanished without a reply. Months where the render queue was busier than the inbox. Then a wedding filmmaker handed us his entire backlog — and we cleared it, cut by cut. First real paycheck. First proof that the work speaks.
Two years on, 500+ projects have moved through our timelines — wedding films, commercials, reels, podcasts. Four formats, four friends, one habit that hasn’t changed since that first assignment.
““We edit every project like our name is on the poster — because it is.”
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03 What we want to be
A post-production house the world knows
The plan is simple to say and hard to do: become the post-production house that creators and brands across the world keep on speed dial. More editors, more timelines — same four names checking every final cut.
If you’re reading this before we’re famous: good. You get to be part of the story.
— Proof
What clients say
“They cleared a backlog I’d been sitting on for months, and every film came back better than my own cut.
“Fast is easy. Fast and this clean is not.
“The only editors I’ve worked with who treat notes like a conversation, not a ticket.
— Our mission
To make premium editing feel like collaboration — not outsourcing. We edit the films creators wish they had time to edit themselves.
— Our vision
Become the editing studio every serious creator and agency keeps on speed dial. Cinematic craft, on tight deadlines, without the agency overhead.
— The crew
The four names in the credits.
Same four friends from that first assignment. Different job titles now.
Anas Shaikh
Keeps every project moving and every client heard.
Ramish
Builds the pipeline that makes fast turnarounds possible.
Bilal
The reason you found us.
Asif Sattar
Keeps the quotes honest and the lights on.
— Where we cut